Explore how critics address questions of form, structure and narrative in film and photography, mainly using examples from France and Italy.
The dates of 1945 and 1968 mark major turning points in the history of film theory, as indeed they do in broader socio-historical and political terms in the modern and contemporary world. In conjunction with, and sometimes in response to, cataclysmic changes in global and local politics, film theory produced around these watersheds is characterized […]